With Words.

The blog of Alan Summers, Recipient of the Japan Times Award (2002) and owner of With Words, a UK provider of literature, education and literacy projects, often based around the Japanese genres. For events and workshops for families, children, and schools contact us through our With Words website: With Words.

small kindnesses

small kindnesses

My small kindnesses are helping those with heavy luggage who forget they can use lifts/elevators at train stations. Also, I allow people to leave the train by not blocking them, as so many others do. Plus anyone smaller than the crowd, I make sure they can get onto a train first, and be able to put away any luggage, and find a nice seat, as I'm a big man I can discreetly block,  and so protect those less able.

dark morning...
the sushi bar opens up
for the train station

Check out Fiona's free book offer for today:

http://www.writingourwayhome.com/p/small-kindnesses-blogs-taking-part.html

 

All about small kindnesses we offer or receive:

http://www.writingourwayhome.com/2012/11/what-small-kindness-do-you-remember.html

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Selected Haiku by Alan Summers

A selection of haiku across the years from Alan Summers

bright breeze

a sighted person fingers

the statue’s eyes

Publications credits: City: Bristol Today in Poems and Pictures (Paralalia 2004); tinywords.com (USA 2007); Moonset Vol. 3 Issue 2 (Moonset Literary newspaper llc. USA 2007)

City: Bristol Today in Poems and Pictures:

http://www.amazon.co.uk/City-Bristol-Today-Poems-Pictures/dp/0954811704

Old Man’s Beard a cyclist wobbles the length of it

 (one line haiku)

Publications credits: a handful of stones (celebrating the extraordinary in the ordinary - the official small stone e-zine 2011); A Blackbird Sings, a small stone anthology ISBN 978-0-9571584-2-9 ed.  Fiona Robyn & Kaspalita Thompson (Woodsmoke Press 2012)

sunheat -

also parted in death

a ladybird’s wings

Publications credits: Blithe Spirit  vol. 8. no.3  (British Haiku Society Journal 1998); Does Fish-God Know (Yet To Be Named Press 2012 ISBN-10: 1479211044)

Old Curiosity Shop -

lacquered dolls

out in the mid-day sun

Publications credits: Shamrock, Haiku Journal of the Irish Haiku Society (Ireland 2007)

white sails...

a wind has also shaped

the tree

Publications credits:Azami issues #21 #22 & 27 (Japan 1994 & 1995); Mainichi Shimbun (Japan 2005); a procession of ripples (USA 2006); tinywords.com (USA 2006); Aesthetics, (Bath Spa University, Summer 2007)

an attic window sill

a wasp curls

into its own dust

Publications credits: Woodpecker Special Issue, Extra Shuttle Issue ISSN 1384-6094  (Holland 1997); Snapshots Four  (1998); First Australian Online Haiku Anthology (1999); Haiku International 2000 Anthology, Japan ISBN 4-8161-0675-8 (2000); HaikuOz Information Kit (2001); The Omnibus Anthology, Haiku and Senryu, Hub Editions ISBN 1-903746-09-4 (2001); Cornell University, Mann Library, U.S. "Daily Haiku" poet (October 2001); tinywords.com (2002); Yomiuri Shimbun, Japanese newspaper (for my birthday, September 16th 2002); The New Haiku (Snapshot Press 2002); Raku Teapot: Haiku Book and CD pub. USA Raku Teapot Press in association with White Owl Publishing Book: ISBN 1-891691-03-1 CD:  ISBN 1-891691-04-X (2003); First Australian Haiku Anthology, Paper Wasp ISBN 0 9577925 9 X (2003); Yomiuri Shimbun Go-Shichi-Go Language Lab(Japan 2005); Swot, arts & literature magazine, Bath Spa University (2007); Travelogue on World Haiku Festival 2002 , Part 2  (Akita International Haiku Network Japan 2010); The Haiku Foundation USA haiku 2012 iTunes app

Award credit:

Highly Commended, Haiku Collection Competition, Snapshot Press (1998)

Joint 7th Best of Issue, Snapshot Five (1999)

Education:

HaikuOz Information Kit, the Australian Haiku Society’s Getting Started With Haiku (2001)

over the nettles

where I know I just can’t go

orange-tip butterfly

Publications credits:Presence issue 42 (2010)

almost lost

in the shimmer of water

several ducklings

Publications credits: Blithe Spirit vol.6 no.1 (British Haiku Society Journal 1996); "English/Japanese Haiku" article by Nobuyuki Yuasa read and translated for the Baiko Women's College (Japan 1996) by Nobuyuki Yuasa:  mizu haete  hikari ni kasumu  kogamo kana; "English/Japanese Haiku" by Nobuyuki Yuasa article (Blithe Spirit, British Haiku Society Journal vol.8 no.3 1998); First Australian online Anthology 1999; HI #42, Haiku International Association (Japan 2001); See Haiku Here (Japan 2001); tinywords.com (USA 2001); Flowers on a Shoe String  (Institute of Physics 2002); Wild Flowers, New Leaves, Ami-Net International Press (2002); Raku Teapot: Haiku  Book and CD pub. USA Raku Teapot Press/White Owl Publishing  (2003); First Australian Haiku Anthology, Paper Wasp ISBN 0 9577925 9 X  (2003); Haiku Pathway Katikati, Katikati Open-Air Art Inc. ISBN 0-476-00060-2  (2003); Yomiuri Shimbun  (Japan 2004);  See Haiku Here (Japan 2009); "water" haiga eBook series, ed. Kuniharu Shimizu (Japan, 2010); Haiku Pathway Katikati, Katikati Open-Air Art Inc. (10th Anniversary Edition 2010); The In-Between Season (With Words Pamphlet Series 2012)

Haiku Park Credit:

Haiku Pathway,  Katikati, North Island, New Zealand

handcarved into a river boulder 2000

http://area17.blogspot.com/2007/08/new-katikati-haiku-pathway-guidebook-is.html  http://members.dodo.com.au/janbos/katikati.html  

http://www.katikati.co.nz

the wind sways

a woven hat brim

once grass

Publications credits: Albatross, Contantza Haiku Society, Romania Issue vol III no. 1 Spring-Summer/No. 2 Autumn-Winter 1994; Moonlighting, British Haiku Society Profile (1996); sundog, an australian year (sunfast press 1997 2nd print 1998); California State Library USA

Haibun credit: The Crow Walk haibun HAIKU HIKE (World Walks) Part of Crossover UK's 2006 'Renewability' project (2006)

woodfire

flickering in the silence

corralled horses

Publications credits: Modern Haiku vol. xxvi  no. 3 (USA 1995); Moonlighting  (Intimations Pamphlet Series British Haiku Society Profile, 1996); sundog haiku journal: an australian year  (sunfast press 1997 reprinted 1998); California State Library USA - 1997; First Australian Haiku online Anthology (1999); First Australian Anthology (Paper Wasp 2000); Haiku Dreaming (Australia 2006); The Crow Walk haibun (HAIKU HIKE, World Walks, Crossover UK 'Renewability' project 2006)); Stepping Stones:  a way into haiku ISBN 978-0-9522397-9-6  (British Haiku Society 2007)

the rain

almost a friend

this funeral

Publications credits: Azami #28 (Japan 1995); Snapshots 4 (1998); First Australian online Anthology (October 1999): Blithe Spirit article On minimalism and other things  DJ Peel Vol 9 No.3 (British Haiku Society Journal 1999); tempslibre (Belgium 2001); Cornell University, Mann Library, U.S.A. "Daily Haiku" (Oct 2001); The Omnibus Anthology, haiku and senryu  (Hub Haiku series 2001); Hidden (British Haiku Society Anthology 2002); The New Haiku (Snapshot Press, 2002); First Australian Haiku Anthology (2003); Birmingham Words Magazine Issue 3 (Autumn 2004); seven magazine feature: “Three lines of simple beauty”  (2006); tempslibre (Belgium 2010); Blogging Along Tobacco Road: Alan Summers - Three Questions (2010); Travelogue on World Haiku Festival 2002 , Part 2  (Akita International Haiku Network, Japan 2010);  The Temple Bell Stops: Contemporary Poems of Grief, Loss and Change (Modern English Tanka Press USA 2012); The Haiku Foundation USA haiku app for iPhone/iPad/iPod Touch (2011); The In-Between Season (With Words Pamphlet Series 2012)

Award credit:

Highly Commended, Haiku Collection Competition, (Snapshot Press 1998)

Joint 9th Best of Issue, Snapshot Five (1999)

all my mistakes

each click of the pen

the robin moves

Publications credits: Presence #24 (2004);  "D'un ciel a l'autre" Anthologie de haiku de l'Union Europeenne, (Edition de l'Association francaise de haiku 2006); Seven By Twenty twitter-length fiction and poetry magazine (2011)

Oxford Street

the sweet chestnut vendor’s

blackened fingers

Publications credits:Snapshot Press Haiku Calendar 2011

Award credit: Runner up, Snapshot Press Haiku Calendar 2010

vigilante movie

my elbow

heavy on your knee

Publications credits: Symmetry Pebbles (2011); The Humours of Haiku (Iron Press 2012 ISBN 978-0-956572-54-7); Does Fish-God Know (Yet To Be Named Press 2012 ISBN-10: 1479211044)

open window

the cat dozes

half in half out

Publications credits:Presence 3  (1996); Woodpecker, Extra Shuttle Issue  (Holland 1997); Iron Book of British Haiku, (Iron Press 1998, Third print 2000  ISBN-10: 0906228670 / ISBN-13: 978-0906228678); tinywords.com (USA 2001); The Haiku Calendar 2002 (Snapshot Press); Raku Teapot: Haiku Book/CD (USA Raku Teapot Press/White Owl Publishing 2003)

Award credits:

Runner-up, The Haiku Calendar Competition 2001 (Snapshot Press)

late deadline

keeping owl hours

with the mice

Publications credits:haijinx volume IV, issue 1 (USA 2011)

snowing

through the blizzard

particles of me

Publications credits: 

The Haiku Calendar 2012 (Snapshot Press); The Humours of Haiku (Iron Press 2012 ISBN 978-0-956572-54-7 )

Award credits:

Winner,The Haiku Calendar Competition 2011 (Snapshot Press)

netsuke...
the hare with amber eyes
jumps back in again

Publications credits:Mainichi Shimbun (Japan 2011)

Award Credits: Honourable Mention, Best of Mainichi 2011 (Japan)

bouncing rain
I force the hotel window
a little wider

Publications credits:

Blithe Spirit (British Haiku Society Journal 2012); Does Fish-God Know(Yet To Be Named Press 2012 ISBN-10: 1479211044)

fading stars
a hedgehog haphazards
its way back home

Publications credits:The Heron’s Nest (USA 2012)

thunder snow
the wind-shifting scent
of fox

Publications credits:Fox Dreams (USA 2012 ed. Aubrie Cox)

dandelion wind

mending bridges

in the mist

Publications credits:  Blithe Spirit (British Haiku Society Journal Vol 22 No. 3 2012); Does Fish-God Know (Yet To Be Named Press 2012 ISBN-10: 1479211044)

dandelion wind haiku by Alan Summers translated into Farsi:

باد پر قاصدک
مرمت کردن پل
در غبار

 

bade por ghasdak

maremat kardan pol 

dar ghobar

Farsi translation by Reza Aerabi

rain on the river–

when does white become

its darkest colour

Publications credits:Haiku News (online newspaper written in the Japanese poetic form of haiku: the personal is the political is the poetical 2012)

sleep disorder

the gas station lights

keep me company

Publications credits:Blithe Spirit (British Haiku Society Journal 2012)

toy suns

the winter-dark rain

smashes the city

Publications credits:Blithe Spirit (British Haiku Society Journal 2012); Does Fish-God Know (Yet To Be Named Press 2012 ISBN-10: 1479211044)

green clouds
the scarecrow worries
a loose thread

Publication Credits:Asahi Shimbun (Japan 2012)

drifting rain 

my hundred autumn rooms 

to be alone

Publication Credits:Mainichi Shimbun (Japan 2012)

cloud mountain
she screams her daughter's name
into the month of march

Publication Credits: British Haiku Society Member’s Anthology, Air (2012)

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Alan Summers will be giving a TEDx talk with haiku as its subject

'CRAFTING THE UNEXPECTED' 
TEDxBradfordonAvon is an independently organised event. The aim is to bring together speakers from fields as diverse as engineering and haiku poetry to act as catalysts  for participants to explore creativity in its widest sense. The theme is 'Crafting the Unexpected'.

Speakers and participants come from a wide range of disciplines including engineering, sculpture, contemporary art, advertising, film direction, haiku poetry, screenplay writing, music and education.  

TED stands for: 
Technology, Entertainment, Design. 

TED itself, is an annual event where some of the world's leading thinkers and doers are invited to share what they are most passionate about.  Speakers have included Bill Clinton, Bill Gates, Jane Goodall, Frank Gehry, Paul Simon, Sir Richard Branson, Philippe Starck and Bono. 

All TED talks are uploaded onto the Internet. This is a key factor in spreading and sharing ideas. Please visit www.ted.com

The TEDx weblink:
http://www.tedxbradfordonavon.com/


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Does Fish-God Know haiku collection by Alan Summers

Does Fish-God Know [Paperback]

Alan Summers (Author)

Publisher: Yet To Be Named Free Press (October 15, 2012)
158 Pages
ISBN-10: 1479211044
ISBN-13: 978-1479211043

  

USA: $10.50  

U.K.: £6.50

Euros: €8,56 

Contents of Does Fish-God Know

Toy Suns, 11

Cupcake, 87

Shichi Fukujin, 155

General Publication Credits, 157

Award Credits, 158

 

Available at CreateSpace:
https://www.createspace.com/3979678

 

first quarter moon
dancing pinheads burst
into new angel DNA

Alan Summers

Publications credits: Asahi Shimbun (Japan, 2012)

powdered snow -

a crow’s eyes above

the no parking sign

Alan Summers

Publications credits: The Mie Times, Japan (1999); Haiku International magazine (Japan 1999); A Poet’s Notebook (2004); The In-Between Season (With Words Pamphlet Series 2012)

  

Award credit:

Joint Winner, Haiku International Association 10th Anniversary Haiku Contest (Japan 1999)

This book is dedicated to Karen, my wife, muse, and keeper of my heart.

My many thanks also to the good people of haiku, Colin Blundell, Editor of Blithe Spirit, the journal of the British Haiku Society, who published my Does Fish-God Know title poem, which also won the ekphrastic haiku award for that issue, and to my translator Hidenori Hiruta (Akita, Japan) for breathing into his fine translations of my work, and to Emily Dickinson.

hummingbird
I pull its colors
to create my own state

Alan Summers 

Publications credits:   see haiku here (Japan, haiga #531, 2011); haijinx IV:1 (2011); The Humours of Haiku (Iron Press 2012)

the grimace

of the roadside cat

its last

Alan Summers

Publications credits:  

Presence 5 (1997); The New Haiku, (Snapshot Press, 2002); The Haiku Foundation Per Diem (2011)

[T]his book contains some of the strongest haiku written by Alan Summers, carefully chosen for their cerebral attack, backbone, humour and adaptive modelling. If you're familiar with Alan's work you'll be pleasantly surprised. If you're not familiar with his work then you'll be rushing out to buy other titles by him.

Alan Summers is one of Britain's top haiku writers.

Brendan Slater, 2012.

hot sandwiches

the railing spikes collect

children's gloves

Alan Summers

Publications credits: Presence 41 (2010)

inner-city forest
a chameleon gives me
the undercover eye

Alan Summers

Publications credits: Asahi Shimbun (2011)

Ah, out of the old pond and into the city!

Does the Fish-God know? And if, what is it he knows? He knows of life with its hard sides and gloomy shades as it is for the many people really subjected to reality. He knows that life is not all flowers and wonderful sunsets. He knows of sides never – or rarely - shown in what at present is (mis)named as "modern haiku".

But he's a god with compassion. Even through rough sceneries The Emperor of Ice-Cream strolls. These haiku have been sorely missed. These are NEW haiku as they live and breathe on the back of tradition but are present in the world of the 21st century. Alan Summers makes use of the Western mind  and a Japanese tradition to show that haiku has a place in the modern world, and will still have one if we are ready to keep our minds open to every experience and influence that befalls a human.

A manifestation of gendai haiku that shows it's not a dream ...

Johannes S. H. Bjerg

International writer and artist writing in Danish & English. 

Managing Editor, Bones Journal

Author of  "Penguins/Pingviner" 2011

Convolvulus

a word on my tongue

and the bumblebee

Alan Summers

Publications credits: Blithe Spirit vol.14 no. 4 (British Haiku Society Journal 2004); see haiku here (Japan 2011); haijinx volume IV, issue 1 (2011)

vigilante movie

my elbow

heavy on your knee

Alan Summers

Publications credits:

Symmetry Pebbles (2011); The Humours of Haiku (Iron Press 2012)

Modern western haiku written by a Japan Times award winning author. Poems that will bend your mind and tempt you to re-evaluate your sense of reality. A must for lovers of experimental short-verse poetry.

Brendan Slater, YTBN Free Press

dandelion wind

mending bridges

in the mist

Alan Summers

Publications credits: Blithe Spirit (British Haiku Society Journal Vol 22 No. 3 2012)

beads of sweat

I lose myself in

the copulation of flies

Alan Summers

Publications credits:

Blithe Spirit (British Haiku Society Journal Vol 22 No. 3 2012) [Autumn 2012]; Sea Bandits ed Aubrie Cox (2012)

The book contains a wide range of experimental haiku and short verse, as well as one line haiku to seek out and read.

Does Fish-God Know [Paperback]
ISBN-10: 1479211044
ISBN-13: 978-1479211043

Pub. Yet To Be Named Free Press

Available at CreateSpace:
https://www.createspace.com/3979678

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A Blackbird Sings: a book of short poems

A Blackbird Sings: a book of short poems
Kaspalita Thompson (Editor), Fiona Robyn (Editor)

KINDLE version Amazon U.K.
http://www.amazon.co.uk/Blackbird-Sings-short-poems-ebook/dp/B009NTE7JY

Paperback Amazon U.K.
http://www.amazon.co.uk/Blackbird-Sings-Anthology-Small-Stones/dp/0957158424

Amazon USA:
http://www.amazon.com/Blackbird-Sings-book-short-poems/dp/0957158424

Amazon USA Kindle version:
http://www.amazon.com/Blackbird-Sings-short-poems-ebook/dp/B009NTE7JY



I’m pleased to say that two of my 1-line haiku are published in this delightful book of short verse.


sick train the night heron shifts silt for all of us

 
Old Man’s Beard a cyclist wobbles the length of it


Publications credits for both haiku: 
a handful of stones (2nd March 2011) ; A Blackbird Sings, a small stone anthology ISBN 978-0-9571584-2-9 ed.  Fiona Robyn & Kaspalita Thompson (Woodsmoke Press 2012)




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Dates: Jan. 7 - Feb. 1, 2013 Haiku and Tanka: Amazement & Intensity: online 2013 haiku and tanka workshop led by Alan Summers for Rooster Moans. The Rooster Moans Poetry Cooperative provides MFA-caliber online poetry workshops.

Haiku and Tanka: Amazement & Intensity

FFI weblink  

http://www.poetrycoop.com/poetry-workshops/haiku-and-tanka-amazement-intensity

Dates: Jan. 7 - Feb. 1, 2013

Ad for Hansaplast Ear Plugs, 2007
Advertising Agency: TBWA, Paris

To Register

Class size: 12
Dates: Jan. 7 - Feb. 1, 2013
Price: $225
Registration is easy. We use Paypal, a service that allows you to pay securely with your credit card or bank account. After registering, you'll receive an email with additional information on your workshop. Thank you!

FFI: http://www.poetrycoop.com/poetry-workshops/haiku-and-tanka-amazement-intensity
Teaching Artists: http://www.poetrycoop.com/poetry-workshops/teaching-artists

A few more details

The Rooster Moans' online poetry workshops last four weeks. While targeted to adults and those with intermediate-toadvanced experience, the cooperative welcomes beginners and writers from other genres, too.

There are four written lessons, each accompanied by one or more discussion questions and writing prompts. Lessons typically include background/history on the workshop's theme, downloadable handouts, links to relevant poems online, suggested reading, related imagery, videos, etc.

Tutors (Teaching artists) attempt to finish all critiques within the week each lesson is posted, whenever possible, and/or all critiques within the month the workshop is active.

Workshops are archived for one month after the workshop ends, during which time students can continue to post and comment. During this period, the teaching artist’s participation is at their discretion.

Teaching artists give every student quality feedback, and lessons typically run between 1000-3000 words, with quality, research, and organization more important than quantity.

Lessons are revealed on four consecutive Sundays, by 12 PM EST, by the artistic director to the students in the workshop, and announced with an eblast.

The tutor suggests possible publication venues for student’s poems, whenever possible.

Students will also peer-critique each other's work (at least three critiques per week are required).

This is very useful as it expands your skills at critiquing both other students’ work and lets you see your own work with fresh eyes.  We will also encourage each and every student to pursue their own unique voice in poetry.

Further Information 
How do online poetry workshops work?

Our poetry workshops last four weeks and take place online in a password-protected space (“The Coop”). Because the weekly lessons are posted on the web, they make use of rich media— imagery, audio and video clips—as well as providing history on the workshop's theme, suggested reading, and questions for discussion. Students post a poem each week in response to the lesson, which is typically accompanied by several writing prompts for those seeking inspiration. Time is fluid in an online workshop; some weeks, you may be inspired to write and post immediately. Other weeks, depending on what is happening in your off-line life, you may not be able to post until the following week or even the one after that.. Our workshops are archived for a full month after the workshop ends, so you can continue to post and comment on each other's poems during that time. Our teaching artists offer detailed critiques on each of your poems, and offer suggestions, when a poem is ready, for potential publication venues. In the spirit of the cooperative, students peer-critique each other's work, too. It's fun—maybe even a little habit-forming—we promise.

Asynchronous learning is a format that uses online resources to facilitate a global network of information-sharing, as well as emphasizing the importance of peer-to-peer feedback. Behind our tagline: workshops that work is not only the belief that our workshops are effective, but that the rewards obtained from any endeavor are in direct proportion to the efforts put in. Asynchronous learning also fosters cross-cultural communication and has a positive effect on the environment by reducing the carbon footprint of its students and teachers. Most importantly, it allows for 24-7 access to our virtual classroom from anywhere there’s an internet connection and a device to receive it.

 

http://www.poetrycoop.com/faq

=======================================
QUOTES FROM MY VARIOUS HAIKU COURSES
=======================================

Hi Alan - thanks so much for this....I learned a lot... I really had no idea there was so much to this art, and I'm completely fascinated. Your comments are extremely perceptive.

MK

As you probably know by now, I use every corner of my life as a way of reflection of my psychological personal development - haiku in itself is great for this, but working with you has just elevated the experience a 100 fold.

Your support over the last couple of years or so have just been such an amazing gift to me - bless you.

I am well aware of the fact that I wouldn't be having such an amazing journey with my haiku if wasn't for you.

FT

…this whole exercise has shown me … trying to distil very personal moments and memories into a few lines is something I have never attempted before, in fact never thought of before - and for that I thank you.

ASH


I have just finished reading your final feedback report on our course. Throughout, your knowledge and love of the subject has been very vividly communicated and I am grateful to you for the way you have generously shared it with us and for the guidance you’ve given.

PW

I can see that they are a way of thinking that is different to our western mind - and am eager to continue.

PC

Thanks very much for all your work. Am starting to get a feel for haiku.

RS

Teaching artist Alan Summers is a Japan Times award-winning writer with a Masters Degree in Creative Writing from Bath Spa University. He has studied and written haiku and other Japanese form poetry for twenty years.

Alan has won awards, been published internationally and translated into 15 languages, and helped his American team win Japan Times Best Renga of 2002.

He’s a co-editor of five haiku anthologies: Parade of Life: Poems inspired by Japanese Prints; The Poetic Image - Haiku and Photography; Fifty-Seven Damn Good Haiku, Press Here; Four Virtual Haiku Poets; and c.2.2. Themes of Loss of Identity and/or Name. He has been General Secretary of the British Haiku Society and a Foundation Member of the Australian Haiku Society.

Alan is currently editor with gendai haiku magazine Bones, and is working on The Kigo Lab, a project to use the potential of Western haiku seasons for eco-critical writing.

He has had a haiku pamphlet collection published called The In-Between Season (2012), and a gendai haiku collection called Does Fish-God Know, which is due out later this autumn.

Online haiku course starting this week

UPDATE:
Spaces for online workshops have been filled for this year. 

Please check with us again in 2013 for a With Words course, by emailing karen@withwords.org.uk, or check out my haiku and tanka poetry course with Rooster Moans workshop which starts in January 2013:  http://www.poetrycoop.com/poetry-workshops/haiku-and-tanka-amazement-intensity 

Dates for the Rooster Moans online course :

Haiku and Tanka: Amazement & Intensity

Dates: Jan. 7 - Feb. 1, 2013 

weblink:

http://www.poetrycoop.com/poetry-workshops/haiku-and-tanka-amazement-intensity 


Previous message read:

We need another participant for the With Words online haiku course starting this coming week.  Any takers?  We'll give the same as the early bird discount.  This year's online courses have been really well received, but this will be the last one run in 2012.

Please email karen@withwords.org.uk for more info, including comments from previous participants.  (Or call Karen on 07789 787909.  She's happy to chat to see if the course would suit you.  If you're dialling from outside the UK, please use country code 44, then 7789 787909).  Many thanks!

bones - a journal for new haiku

bones - a journal for new haiku

home page: http://www.bonesjournal.com/
 
submission guidelines:  
http://bonesjournal.com/submission.html
 
Facebook:  
http://www.facebook.com/bonesjournal/info
 
Twitter: https://twitter.com/bonesjournal

Free pre-issue PDF of new haiku on the homepage:
http://www.bonesjournal.com

bones journal Editors:
Sheila Windsor
Alan Summers
Johannes S. H. Bjerg


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Call for poetry for a new short verse, haiku, tanka, short haibun anthology entitled C.2.2. : Poets may submit up to 5 haiku, tanka, short haibun, free-verse along with a pen name. The anthology will be subtitled short-verse, and we are looking for poems between 1 to 8 lines in length.

“Between loss of identity and loss of name, it's surprising, how when you are referred to by a number, you hurt.” Prisoner KM5451

Yet To Be Named Free Press 

is putting together an anthology entitled C.2.2. on the following themes:

•       loss of identity and/or name
•       mental health issues
•       social issues
•       physical health issues
•       unsentimental love

C.2.2. Editors: 

Brendan Slater and Alan Summers

Please scroll down and the rest of the post before submitting your work.

Submissions Email Address:Please submit your work to: subs@yettobenamedfreepress.org 

http://www.yettobenamedfreepress.org/

Poets may submit up to 5 haiku, tanka, short haibun, free-verse along with a pen name.* 

The anthology will be subtitled under short-verse, and we are looking for poems between 1 to 8 lines in length.

Deadline:  30th November 2012.

Send us your darkest and/or most honest work to be considered for the anthology, alongside a pen name (pseudonym)   

We are looking for modern experimental short-verse only.

Submissions Email:
Please submit your work to: subs@yettobenamedfreepress.org

The anthology will contain around 200 poems and will be published in early 2013.

Yet each man kills the thing he loves
By each let this be heard.
Some do it with a bitter look,
Some with a flattering word.
The coward does it with a kiss

From the Ballad of Reading Gaol by Oscar Wildepublished under the pen name/pseudonym of c.3.3. (1898).  It was only until the 7th printing that Wilde’s name was actually revealed.

There is a nod to Shakespeare's The Merchant of Venice, where Bassanio asks: "Do all men kill the things they do not love?"

And this appears on Oscar Wilde's tomb;

And alien tears will fill for him,
… [a]nd outcasts always mourn.

*Only pen names will be included in the anthology but individual poems may be posted on personal blogs or other social media with the poet's real name.

http://www.yettobenamedfreepress.org/

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Alan Summers haiku in The Temple Bell Stops: Contemporary Poems of Grief, Loss and Change (Modern English Tanka Press 2012) Ed. Robert Epstein

The Temple Bell Stops: Contemporary Poems of Grief, Loss and Change (Modern English Tanka Press 2012) Ed. Robert Epstein

I was honoured to be invited to have my haiku included in this anthology, here is one of my haiku.


the rain
almost a friend
this funeral

 
Alan Summers


 
This haiku has connected with so many people and I feel privileged that it has been published and anthologised so many times.


Other publications, and original publication include:
Azami #28 (Japan 1995); Snapshots 4 (1998); First Australian online Anthology (October 1999): Blithe Spirit article On minimalism and other things  DJ Peel Vol 9 No.3 (1999); tempslibre (2001 & 2010); Cornell University, Mann Library, U.S.A. "Daily Haiku" (Oct 2001); The Omnibus Anthology, haiku and senryu  (Hub Editions Hub Haiku series 2001); Hidden (British Haiku Society Anthology 2002); The New Haiku (Snapshot Press, 2002); First Australian Haiku Anthology (2003); Seven Magazine feature: “Three lines of simple beauty”  (2006); Blogging Along Tobacco Road: Alan Summers - Three Questions (2010); Travelogue on World Haiku Festival 2002 , Part 2  (Akita International Haiku Network 2010); THFhaiku app for iPhone/iPad/iPod Touch (2011); The In-Between Season (With Words Pamphlet Series 2012)

Award credits:
Highly Commended, Haiku Collection Competition, (Snapshot Press 1998)
Joint 9th Best of Issue, Snapshot Five (1999)


From the publishers:

Young or old, healthy or sick, wealthy or poor, sooner or later all of us face losses in our lives. Whether these losses are big or small, they affect us and leave their mark. At the center of grief over the death of a loved one, job loss, financial hardship, divorce, miscarriage, and changes due to aging is a hardy seed of renewal.

As the poets in this collection attest, grief, sorrow and acceptance serve as a bridge between the past and future—a thread of love and courage that restores wholeness and continuity. Pause with the poets here in the present moment who happen upon a door that only looks closed but opens again and again to the Eternal Now—where departed loved ones and new possibilities await us.

Haiku helps to contain our grief and gently returns it to Nature, wherein true healing takes place. As such, haiku (and its related forms) can be considered the poetry of full catastrophe living, which points the way forward to the recovery of ordinary awe.

The Temple Bell Stops: Contemporary Poems of Grief, Loss and Change (Modern English Tanka Press 2012) 

Ed. Robert Epstein


Product Details
ISBN 9781935398301
Publisher Modern English Tanka Press
Pages 256
Binding Perfect-bound Paperback
Interior Ink Black & white
Weight 0.44 kg
Dimensions (centimetres) 15.24 wide x 22.86 tall

Price: £12.39


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